And the blog tour continues with my thoughts on the awesomeness that is this book. If you haven't already done so, you should definitely
check out my interview-ish thing with Marie, and enter to win a The Winner's Curse prize pack!
But, you know...read this review first. ;)
The Winner's Curse by Marie Rutkoski
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Fantasy/Historical, 368 pages
Expected publication: March 4th 2014 by Farrar Straus Giroux
Winning what you want may cost you everything you love
As a general’s daughter in a vast empire that revels in war and enslaves those it conquers, seventeen-year-old Kestrel has two choices: she can join the military or get married. But Kestrel has other intentions.
One day, she is startled to find a kindred spirit in a young slave up for auction. Arin’s eyes seem to defy everything and everyone. Following her instinct, Kestrel buys him—with unexpected consequences. It’s not long before she has to hide her growing love for Arin.
But he, too, has a secret, and Kestrel quickly learns that the price she paid for a fellow human is much higher than she ever could have imagined.
Set in a richly imagined new world, The Winner’s Curse by Marie Rutkoski is a story of deadly games where everything is at stake, and the gamble is whether you will keep your head or lose your heart.
I'm really afraid I'm going to spoil something about this book for you guys, which I don't want to do at all, at all, at all, so I'm going to
try very hard not to, which is going against everything in me that just wants to
discuss this book. I've been seeing a lot of unreserved "this is the best thing evarrrr" reviews on the interwebs for
The Winner's Curse, and I'm not quite
there — there were a couple things that, well, not necessarily bothered me, but seemed less perfect in this otherwise really excellent book. But for the most part,
I ate this book right up, and I feel pretty confident in saying that this series is going to be big, and you're going to want to read it now, so that when it's this huge thing everyone's talking about and there's a movie in the works with the most current incarnation of JLaw, you can be all hipster and say you read it
ages ago.
The Winner's Curse reads like historical fantasy, but it isn't
quite either of those things. It's very rich in the telling, with seamless, full world-building, which I think plays into the historical fantasy feel (those two genres being arguably the most dependent on truly excellent world-building and a very luxe style). You can feel the weight of history in this story; everything seems to have its place, from the clothes they wear to the food they eat to the games they play, and everything in between. You get the sense that there are reasons to everything, and that there's also more to the story — more, even, than you could ever know.
That is one of my favorite things about good world-building — when you feel like, as good as it is now, you've barely begun to scratch the surface. It feels like there's so much more, that there's a history and a cultural story that the author didn't just luck into, but thought about — researched and planned and truly understood, and then pared down to what was needed for the story being told (so that it's rich and lush without being Infodump Overkill).
That is what makes for good world-building.
One of my favorite things (which you may have guessed, since
it's what I chose to discuss with Marie for the blog tour) is actually the
culture-building aspects of the story. The Herrani and Valorian cultures both feel very real and immediate to me; the use of culture and all its hallmarks, both as a means of differentiating (both for the reader and for the characters "living" it), and as a means of bringing together and showing how alike people really are, no matter how hard they try not to be, was really well done. The two cultures and their backstories were distinct and interesting, and permeated the entire story, building a sense of place, and of a visual, palpable world. The reader is able to really
feel the pace of life and the atmosphere, and be that much more engaged in the story as a result. Rutkoski gives enough detail on these cultures and their uneasy coexistence that you're always able to visualize the world — you can see Kestrel and Arin playing a game of
Bite and Sting; you can picture the Herrani-turned-Valorian households, the clothing, the market. Everything feels very concrete and — for lack of a better term — camera-ready.
Add to this that the character dynamics were just spot on, and you've got yourself a winner. The dynamics, not just between Kestrel and Arin, which could have gone off the rails SO QUICKLY and yet never did, but with pretty much everyone, were handled perfectly. Nearly all of the interactions and relationships felt believable and relatable, very real and authentic.
The Winner's Curse is very much a story of shifting power dynamics, and I loved the way Rutkoski explored that. It's not always a comfortable arena to explore, as power often brings out the worst in people (even more so when 'power' in this case often means a total loss of autonomy for not just individual characters, but entire segments of the population), but Rutkoski's exploration, and Kestrel's and Arin's narration, is unflinching and real, and that's something I
always appreciate. (It's also something that I highly respect, and will make a story much more memorable to me — and thus much more likely that I'll recommend it.)
Now, I referenced a couple of minor reservations in the beginning of this review, so I do want to address those. I don't unreservedly love this book, but what reservations I do have are pretty easily outweighed by the things I loved. The timeline pre-book seems a bit too compressed to me; I would much rather the political/societal state be more entrenched and further along than a war that happened a scant decade ago. This is nit-picky, of course, but from a tension level and a convenience level, I personally would appreciate it more if both Kestrel and Arin were raised in a world where the current status quo isn't all that new, as I think it'd make their internal struggles and the conflicts more heightened. I mentioned convenience — having the war be in very recent times does allow the characters to somewhat remember a nebulous
before, which helps in the Explaining of the Things, so I get it; but frankly, I've never been one to respect convenience in storytelling... It can seem too much like a plot crutch.
Similarly, there are some rushed moments at the end that almost felt rough to me, and I was a touch let down by them after the rest of what I found to be a very well-paced novel*... except that somehow I wasn't all that let down? I was bothered at first that anything started to feel rushed, because I so loved the pacing and the slow-burn of this book, and I didn't want to lose that — but then, there was something about the slightly rushed aspects that made it feel immediate, made it feel almost like a sensory experience of the chaos that was going on. It suited the plot, even though it felt like a pretty noticeable shift in storytelling, and because it felt intentional and calculated, it worked. (Some things did feel borderline glossed-over, though, when I wanted to pore over
everything.)
But as I said, this is mostly nit-picking, and for anything that detracted or made me question, there were a dozen other things that made me love this. I have a feeling that my enjoyment of the world and characters over the course of the series is going to grow exponentially. It's a meaty story, and I think as things unfold, there's going to be so much for me to sink my teeth into that I' going to eagerly await further installements, and push this on just about, well...everybody.
[And this is where I'd insert an especially cheesy line about how, with a good book, everyone's a
winner, or there's no
curse in having a good book in hand, etc., etc. — only, I couldn't think of one brilliantly cheesy enough...]
So seriously. You should probably pre-order this one.
Just saying.
*People who don't love this quite the way the rest of us do seem to disagree with me on this point. Instead, they found the pacing slow in the beginning, and liked how quickly it moved at the end, so I guess it's all down to taste. I'll take a book that prizes development and paces accordingly any day.
Last Week on FFO: We took a look at the US and German covers of Josin McQuein's Arclight, with many of you praising the moodiness and textures on the German cover. It was the clear winner, though to be fair, the US cover does not show to advantage on a computer screen — I and some of you voting all agreed that it's really a cover you need to see in person to get the full effect, and I highly suggest that if you do see it in the wild, you pick it up and play with it.
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